Full Name
Prinyar Boon
Job Title
Product Manager
Company
PHABRIX Ltd
Speaker Bio
Prinyar Saungsomboon
Product Manager
Prin is responsible for the market analysis and roadmap development for PHABRIX test & measurement products with a particular focus on high dynamic range (HDR), the ST 2110 suite of standards and the system wide monitoring of Precision Time Protocol.
With over 35 years of hands-on industry experience, Prin has worked on the design of several generations of studio equipment throughout the broadcast production chain. More recently he has been deeply involved in the experimentation and testing of live HDR and wide colour gamut (WCG) production systems leading to service deployment in the UK in 2019.
He has also worked on the development of next-generation audio (NGA) in live production, the transmission standards for both DVB HDR video and next-generation audio, and the colourimetry for digital cinema.
Prin is a SMPTE Fellow and a member of the UK section management team, a member of the IEEE and the AES - is a past chair of AES UK and has been an IBC papers assessor for many years. He has been awarded several patents and is a frequent participant in industry events.
Product Manager
Prin is responsible for the market analysis and roadmap development for PHABRIX test & measurement products with a particular focus on high dynamic range (HDR), the ST 2110 suite of standards and the system wide monitoring of Precision Time Protocol.
With over 35 years of hands-on industry experience, Prin has worked on the design of several generations of studio equipment throughout the broadcast production chain. More recently he has been deeply involved in the experimentation and testing of live HDR and wide colour gamut (WCG) production systems leading to service deployment in the UK in 2019.
He has also worked on the development of next-generation audio (NGA) in live production, the transmission standards for both DVB HDR video and next-generation audio, and the colourimetry for digital cinema.
Prin is a SMPTE Fellow and a member of the UK section management team, a member of the IEEE and the AES - is a past chair of AES UK and has been an IBC papers assessor for many years. He has been awarded several patents and is a frequent participant in industry events.
Speaking At
Topic and Description
Presentation Topic: A Field Guide to Live High Dynamic Range Single-Stream Production: Concepts, Do’s and Don’ts
Description: This presentation will document the core concepts associated with High Dynamic Range Wide Color Gamut (HDR, WCG) single stream production where the conventional Standard Dynamic Range (SDR) production is derived from the HDR production. This workflow is essential to driving down the cost and footprint of simultaneous live HDR-SDR production to the point that this is now a practical reality. This technique has been deployed in BT Sport ‘Ultimate’ English Premier League, UEFA and premier league Rugby since Aug 2019 as well as NBCUI NFL Notre Dame and Chicago Basketball, Hockey and Baseball HDR productions in 2020. The use of Closed-loop shading using a “predictive HDR to SDR” converter will be described, and the choices associated with converting Graphics Anchored material. The necessary changes and adaptations to existing equipment and working practices will also be described.
and
Roundtable Topic: A Field Guide to Live High Dynamic Range Single-Stream Production: Concepts, Do’s and Don’ts
Description: Q&A Session
Description: This presentation will document the core concepts associated with High Dynamic Range Wide Color Gamut (HDR, WCG) single stream production where the conventional Standard Dynamic Range (SDR) production is derived from the HDR production. This workflow is essential to driving down the cost and footprint of simultaneous live HDR-SDR production to the point that this is now a practical reality. This technique has been deployed in BT Sport ‘Ultimate’ English Premier League, UEFA and premier league Rugby since Aug 2019 as well as NBCUI NFL Notre Dame and Chicago Basketball, Hockey and Baseball HDR productions in 2020. The use of Closed-loop shading using a “predictive HDR to SDR” converter will be described, and the choices associated with converting Graphics Anchored material. The necessary changes and adaptations to existing equipment and working practices will also be described.
and
Roundtable Topic: A Field Guide to Live High Dynamic Range Single-Stream Production: Concepts, Do’s and Don’ts
Description: Q&A Session
